Manx Destubt V2 Guía de usuario Pagina 4

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2
Introduction
Congratulations on acquiring
the Manx
SJ-2
synthesizer.
We hope you will find the
rich,
organic
sound of
the instrument to be as satisfying as we do
.
Manx Synthesizers originally started out as a vehicle to test out novel oscillator designs, whilst looking into
the possibility of providing digital oscillators with more ‘grunt’.
These designs share much ‘DNA’ with what lies under the hood of Manx instruments today. However, we
subsequently shifted our attention onto the filter and envelope sections, which we felt, were still being somewhat
‘trashed’ by real analog gear.
For patches which feature an open filter and bland EG settings, the SJ-2 does sound similar to its predecessor, the
Manx Super-Jay. However, patches with significant filtering and bold EG settings are probably the most commonly
used synth sounds out there; and these are a kind of sounds in which the SJ-2 can now excel.
Please note that the SJ-2 does not attempt to model any particular hardware instrument down to the finest
detail but we have tested it alongside audio examples of the awesome MKS-80 all the way through development
and the SJ-2 programming functionality is rather similar to that of the hardware beast.
Please note that if you are new to synthesis, parts of this user guide may appear to be ‘a bit heavy.
Don’t worry, once you start turning knobs and flicking switches on the SJ-2, it will all start to make sense.
3 Getting Started
General features
6 note polyphonic, with double and unison modes.
Midi Learn for all parameters; Patch memory system with full library.
Independent PWM LFOs, velocity sensitivity, generous modulation routings and much more....
General information
The SJ-2
has no on
-
board effects - its output is mono.
External effects must
be used if you need stereo image
ry, or layer 2 SJ-2s together, then pan.
The SJ-2
can respond to velocity
data but in most factory presets,
this is switched off.
The SJ-2
͛s CPU consumption is
ve
ry sensitive to patch complexity.
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